‘I definitely needed a lie-down after that!’ Your most gripping episodes of TV ever
Spooks – I Spy Apocalypse from 2003
This installment starts with the Spooks team locked down while undergoing a drill about a potential terror incident, overseen by two Home Office officials. As the situation develops, it becomes clear a real incident has taken place with a chemical weapon released. The suspense builds as reports reveal a catastrophe taking place outside, and gets worse as the boss appears to be infected, and the two Home Office officials attempt to leave, pushing the protagonist portrayed by Matthew Macfadyen to choose between firing at them or letting them go and endangering the sterile MI5 environment. This being Spooks, his decision is predictable.
Threads (1984)
Threads had minimal funding but one of the most frightening programmes I’ve ever seen due to its harsh realism and grim official statistics. Watched it about a month ago after seeing the first airing; I often attended the bar in Sheffield shown in the series which emphasised the reality and the glib matter-of-fact official information that aired. Continuing to be utterly horrifying 35 years later.
Severance – The We We Are from 2022
The concluding episode of Severance’s debut season has to be right up there in terms of gripping installments. I spent the entire episode literally perched nervously, pushing alongside Dylan to maintain his grip on the controls that kept the Innies on overtime, while shouting to the Innies to get their truths out there. The final climactic moment – “she survives!” – resembled a outburst.
Industry – White Mischief from 2024
The fifth episode of Industry’s third season had my heart racing. I had to pause and get up and depart the area multiple times because of the sheer scale of the wanton self-destruction I observed. Rishi Ramdani is in major difficulty at work and home – up to his eyeballs in debt to illegal creditors owing to his uncontrollable gaming, taking such risks on a wager involving sterling that might cost his firm millions. Inevitably, he starts a gaming binge, does tons of drugs and drink and wins, loses, wins, gets beaten to a pulp. Each instance you believe things cannot decline more, it does. Redemption seems possible as the installment closes yet he wastes the chance, with horrifying consequences in the concluding part of the season. Absolutely had to relax following that!
Peep Show – Holiday from 2007
Peep Show is not inherently a tense series. However, the Holiday episode contains such levels of cringe that it’ll have you standing up the whole episode, riddled with anxiety. It all ramps up as Jeremy and Mark discover needing to deceive regarding the dog they unintentionally hit and following tries to eliminate it. You then spend the rest of the episode wondering if it might be more awful than cremation, and it can be!
The West Wing – The Two Cathedrals (2001)
Nothing I’ve watched has been more intense compared to my initial viewing the season two finale to The West Wing. The episode starts with the aftermath of the passing (in a road incident) of the president’s personal secretary and escalates to a高潮 with a crisis in Haiti, and the fallout from the non-disclosure about the president’s MS condition, along with affirmation of his plan to pursue re-election. Superb programming. Unequaled.
The 2018 Bodyguard premiere episode
The opening of the British series Bodyguard, with the protagonist on a train with his young son, is personally a top tense installment. He observes a woman in Islamic attire going into the loo and knows something is off. The bomb diffuser experts are called, get on the train, and attempt to convince the woman to take off her suicide vest. Tension escalates to a nearly intolerable level, until yes, the vest is diffused.
Buffy the Vampire Slayer – The Body from 2001
Buffy arrives at her residence to discover her mother has died of natural causes, which is the most unusual type of death in this supernatural show. The show features no musical score, a somber mood, and we view the installment through the lens of Buffy’s shock of discovering her mother.
The 2007 The Sopranos finale Made in America
The final scene of the final episode of the show was pants-wettingly tense. And if you viewed it when it first premiered, you – initially – were uncertain of the reason. Tony’s foes, genuine and fictional, were all vanquished. Doesn’t this resemble the season one conclusion? “Remember the little things.” Yet the atmosphere is strangely foreboding. Nearly Twin Peaks-like fear. The family gathers in a diner. Meadow parks. Tony sadly tells Carmela difficulties are arising with an additional associate cooperating with the officials. Meadow secures a parking space. Odd persons arrive at the eatery. Stare at Tony(?) Meadow continues to park. Tony puts a record on the jukebox. Meadow parks. The door chimes, a person comes in. It isn’t Meadow, she remains parking. Tony raises his gaze. Continue. It ceases. My heart sank around 20 minutes subsequently.
The Walking Dead – The Last Day on Earth (2016)
I remained awake to view this installment in the early morning. It was so intense after the establishment of antagonist Negan locating the survivors, savagely teasing his prey and then keeping the death a mystery (finished with an unresolved situation). The first-person perspective of the victim and the muffled sounds – ugh! {We then had to wait for season seven|We then needed to await season